A Crouch To Suit The Composition

I invited Steve into the studio so I could create some portraits for our book, Mastering Portrait Photography. I was specifically looking to capture portraits that illustrated different angles for photographing guys. Steve turned up wearing jeans and a jacket, … To get access, you need to first be a registered member and then head over to the Shop to …

Lights, Fans and a Seriously Fit Spin Class Instructor

The creative part of a portrait photographer’s job is to look beyond the obvious shot and create something that makes people look twice because it is so striking. In this shot, some creative lighting makes all the difference. Oh, and a whole load of fanning. This was a commercial shoot for Fitlife, … To get access, you need to first …

Foundations: Eye Contact

Having the subject look straight down the lens gives a feeling of direct eye contact when the image is later viewed. Just as in real life, eye contact is more arresting than a lack of eye contact – it captures your attention and is a form of communication in itself. However, it also demands more of the viewer, … To …

Foundations: Lead-In Lines

Lead-in lines are strong compositional elements that guide the viewer’s eye around the image, and draw the viewer’s focus towards the subject. For example, in a shot of a subject walking along a winding path, inclusion of the path in the foreground will create a lead-in line. Equally, two rows of converging trees either side of your subject create converging …