Sometimes you’re aiming for a specific look, but your subject arrives wearing something that doesn’t align with your vision. Here, I had been planning an image with dark tones, but my model was wearing white. I’m a fan of portraits with a narrow tonal range, as they look more subtle and sophisticated (to my eye, anyway). They also enable me to bring the viewer’s attention to the face more easily, as I light faces to be the brightest part of …