One-light low key studio portrait

You’ve got one light. One subject dressed in dark clothing. And one dark paper background. All the ingredients for a perfect low key portrait. This is Alan. He wanted some portraits he could use for his business profile which is a fairly straightforward brief. However, if I’m going to do something, JOIN NOW! LOGIN

Studio-Style Rim Light With Two Windows

You don’t need flash to create a studio-style portrait like this one; you only need a little lighting know-how… One of the highlights of our year is spending a few weeks on a luxury cruise ship… working, of course. We’re taken onboard as the lead photographers, with a remit of capturing beautiful images of their clientele in the stunning surroundings …

Lighting Up An Ancient Lecture Theatre For A Science-Themed Portrait

This shot was about fire, camera and action, as part of a commercial commission to create a visually striking portrait of a chemistry lecturer. The Royal Institution (RI) is an independent charity that promotes scientific understanding. They put on Christmas lectures every year and in 2016, the lecturer was Saiful Islam and the theme was energy. Saiful is a Professor …

Telling Stories with Composition

Shooting families with young children? Accompanying everyone on a walk allows you to capture relaxed shots like this one, with everyone being themselves and interacting naturally. It also means you are likely to end up getting muddy… Twiggy, mud-splattered clothing is now an expected part of my appearance after an outdoor shoot. JOIN NOW! LOGIN

Golden Spiral Curve In Portraits

The Golden Spiral is a compositional tool that helps you create more high-impact portraits. Here’s how I used foreground foliage to create the spiral’s curves. The Golden Spiral is a compositional guideline that helps you place key elements of your scene within naturally powerful areas of the frame. In portraiture, that key element is typically your subject’s face or eyes. …

Four Ways To Crop A Portrait

To crop, or not to crop? For all portraits other than full-length ones, you have to decide whereabouts on your subject’s body to place the edge of the frame. There are a few places where cropping is fine, and a few you should always avoid. The nice thing about working on location is that, JOIN NOW! LOGIN